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"Water, water, everywhere
And all the boards did shrink
Water, water, everywhere
Not any drop to drink".
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By projecting filmed segments on a transparent screen, Mark Holthusen creates a magical, fairytale world that can quickly turn into a nightmare that brings to life the famous wood engravings of Gustave Doré. Sublime creatures can be seen floating around the Tiger Lillies whose decadent and macabre delivery is often interlaced with black humor and existentialist reverie.
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Adrian Stout does not limit himself to playing the double bass. He produces the strangest of sounds on the musical saw and the theremin, creating an ever shifting background on which the inventive percussion effects of Mike Pickering and the piano and bandoneon of Martyn Jacques can bring out the full glory of this, Soho with a litle pinch of pre-war Berlin, dark cabaret act. Coleridge, who fostered a lifelong addiction to opium would certainly have approved of this at times surreal, provocative and avant-garde rendition of his all time classic of romantic literature.
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